Built-In Stereo Mic in X/Y Configuration
The on-board X/Y stereo microphone is capable of handling sound pressure levels of 140 dB. It can also cover a wide berth whilst capturing any sound source in its center with precision. Both microphones are angle-adjustable: You can change the angle of capture from 90° (for a focused stereo image) or 120° (for a wider stereo image) simply by twisting each mic's capsule.
Back-Lit LDC Display
This device utilizes a back-lit LDC display that makes reading its panel on stage more convenient.
On-Board M/S Decoder
Perhaps you'd prefer to capture stereo audio by means of an M/S technique, rather than through the H4n Pro's X/Y-configured capsules. Should you wish to plug external microphones into the unit's preamp for this very purpose, the H4n Pro provides an on-board MS decoder, allowing you to adjust the width of the stereo image within the device itself. This is useful both for sound design and for broadcasting.
Connections
Revamped with the same low-noise preamps as the H5 and H6, the H4n Pro provides combination inputs for XLR or 1/4" connections, both balanced and unbalanced. As such, it can handle mic/line and instrument signals. 24 or 48V Phantom can be applied to both inputs. Additionally, a stereo 3.5mm jack for external devices—lavalier microphones, for example—is included. This jack supplies 2.5V power, if need be.
Portable Pocket Interface
Utilizing its mini-USB port, you can use the H4n Pro as a 2-in/2-out interface for computers, recording straight to your DAW via its preamps and monitoring through the 3.5mm stereo headphone jack.
Multiple Recording Modes
Record in stereo mode, four-channel mode (utilizing the on-board stereo mics in addition to the built-in preamps), or in multitrack mode, which makes use of built-in effects, overdub functions, and the ability to work with prerecorded material. Additionally, you can use the pre-record function—ensuring you always capture audio starting from two seconds before the moment you press record—or the auto-record function, which allows the H4n Pro to start recording whenever it senses audio, and to stop as soon as the signal drops below a pre-set threshold.
Onboard Effects
The H4n Pro offers a variety of effects, including compression, limiting, reverb, delay, echo, a low-cut filter, and more. You also get an on-board metronome and tuner, along with dozens of amp models and effects crafted for guitars and basses. Furthermore, you can loop playback, adjusting the pitch and speed of the audio independently; this makes the H4n Pro a tool suitable for transcriptions, whether you need to get the words of a particularly fast talker down on paper, or the notes of a particularly fast guitar solo under your fingers.
Cubase LE and WaveLab LE Included
The H4n Pro includes licenses for Steinberg's Cubase LE music production software, as well as WaveLab LE audio editing software. This is particularly useful for those who hope to create their own music utilizing the Pro's USB audio interface function.
Rubberized and Secure Construction
The H4n Pro sports a rubberized body and revamped locking XLR/TRS connection points to keep your mic cables secure.
Additional Features
Record up to 140 dB SPL with X/Y microphones.
Output/headphone jack with dedicated volume control.
Built-in reference speaker for fast playback.
Internal mix-down: Four-track to stereo and stereo to dual mono.
Up to 99 marks per recording.
Normalize (maximum gain) and Divide (file-splitting) functions.
Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter.
| NUMBER OF SIMULTANEOUS RECORDING TRACKS: |
2 (STEREO mode), 4 (4CH mode), 2 (MTR mode) |
| RECORDING TIME 4 GB (SDHC): |
Approx. 380 minutes (WAV 44.1 kHz / 16-bit stereo track) |
|
Approx. 68 hours (MP3 44.1 kHz / 128 kbps stereo track) |
|
* Recording times are approximations. Actual times may differ according to recording conditions. |
| MAXIMUM FILE SIZE OF SIMULTANEOUS RECORDING: |
2 GB |
| PROJECTS: |
1000/card |
| LOCATE FUNCTION: |
Hours/Minutes/Seconds/Milliseconds |
| OTHER FUNCTIONS: |
Punch-in/out, Bounce, A-B repeat |
| EFFECTS MODULES: |
2 |
|
STEREO / 4CH Mode: LO CUT, COMP/LIMITER |
|
MTR Mode: PRE AMP module, EFX module |
| TYPES: |
53 |
| PATCHES: |
60 |
| TUNERS: |
Chromatic, Guitar, Bass, Open A/D/E/G, DADGAD |
| METRONOME SOUND SOURCES: |
5 |
| VARIABLE BEAT: |
1/4 - 8/4, 6/8, unaccentuated |
| TEMPO: |
40.0 - 250.0 BPM |
| A/D CONVERSION: |
24-bit × 128 oversampling |
| D/A CONVERSION: |
24-bit × 128 oversampling |
| RECORDING MEDIA: |
SD card (16 MB – 2 GB), SDHC card (4 GB – 32 GB) |
| DISPLAY: |
128 x 64 dots Full-dot backlit LCD |
Data Type - WAV Format (Record/Play)
| QUANTIZATION: |
16- / 24-bit |
| SAMPLING FREQUENCY: |
44.1 / 48 / 96 kHz |
|
|
Data Type - MP3 Format (Recording)
| BIT RATE: |
32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 kbps, VBR |
| SAMPLING FREQUENCY: |
44.1 / 48 kHz |
|
|
Inputs
| INPUT [1] [2]: |
XLR (balanced input) / standard phone (unbalanced input) combo jack |
| INPUT IMPEDANCE: |
(Using balanced input) 3 kΩ or more, pin 2 hot |
|
(Using unbalanced input) 470 kΩ or more |
| INPUT GAIN: |
(Using balanced input) -16 dB to +43 dB |
|
(Using unbalanced input) -30 dB to +32 dB |
| BUILT-IN STEREO MIC: |
Unidirectional condenser microphone |
|
Sensitivity: -45 dB/1 Pa at 1 kHz |
|
Input gain: -16 dB to +51 dB |
|
Maximum sound pressure input: 140 dB SPL |
| EXTERNAL MIC: |
Mini stereo phone jack |
|
Input impedance: 2 kΩ or more |
|
Input gain: - 16 dB to +51 dB |
Outputs
| LINE/PHONE: |
LINE Output load impedance: 10 kΩ or more |
|
LINE rated output level: -10 dBu |
|
PHONE: 20 mW + 20 mW (into 32Ω load) |
| MONAURAL SPEAKER: |
400 mW 8 Ω |
| PHANTOM POWER: |
48V, 24V, OFF |
| USB: |
USB 2.0 High Speed Mass Storage Class operation, Audio interface operation |
|
(USB functions can be operated by USB bus power) |
| POWER REQUIREMENTS: |
DC 5V 1A AC from AC adapter (ZOOM AD-14), 2 x AA batteries |
| BATTERIES: |
IEC R6 (size AA) x 2 |
| CONTINUOUS RECORDING TIME: |
STEREO mode |
|
Using built-in mics at 44.1 kHz/16-bit without headphones connected |
|
About 5.5 hours using alkaline batteries or about 7.5 hours using NiMH (2500mAh) batteries |
|
STAMINA mode |
|
Using built-in mics at 44.1 kHz/16-bit without headphones connected |
|
About 8 hours using alkaline batteries or about 10.5 hours using NiMH (2500mAh) batteries |
| DIMENSIONS: |
73 (W) × 157.2 (D) × 37 (H) mm |
| WEIGHT: |
294 g |
|
* 0 dBm = 0.755 Vrms |
|
* Design and specifications subject to change without notice. |